We show the techniques behind it, we show the excitement and the action-but also we show the deep bonds between people, and when we’re casting, we look for that chemistry in our cast. That’s what we’re mining in our storytelling. As we know, the test of any character is when you put them under pressure. We deal with metaphorical families all the time.
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Most TV shows are about family, either real or substitute families. But in the moment it’s the thing that glues you together. You might have some aftereffects down the line. You might have a moment where you sleep maybe later on. Would you all be shaken and white-faced and not able to speak? And no, what you’re doing is right.
We have guys that have been in special ops as our military advisors, and we say, how would you respond to the end of this. We put them under immense pressure, immense levels of lethal danger, and we see how those pressures produce bonds and connections.
But it’s also a character show, and it’s a show about the bond between soldiers.
We do action bigger and better, we think, than anybody else on television. Talk about those considerations.Įagles: The show is known as an action show, and that’s one of its selling properties. HR: Strike Back is known for its action, but directors such as yourself also have more than that to keep in mind, as well. You might have that on a couple of days, with an American episode, but on Strike Back it’s every day. There’s a high intensity about the shoot days on Strike Back which is consistent. And a lot of this stuff is real-all the explosions around and all the gunfire. But Strike Back, we go to strange places. There are all sorts of reasons why we should do it in that way. I totally love the American system, doing shows in a more traditional way. Our cast is really up for running in front of some giant bomb and getting quite close to the flames and jumping on tall buildings and that whole kind of thing. You know, we want a 40-foot high fireball. How big do you want this fireball, Bill? Do you want it to be as big as the door, or as big as a house, or 20 feet or 30 feet high? It’s amazing. And behind that, you’ve got the pyro guys. Maybe it’s a cliche, but there’s a lot of truth in it when you’re on a show like this with a cast that you know and you love, and know and enjoy working with as a director. So you don’t have to laboriously tick every little box. We block the scene and it’s complicated-people come in, people leave, somebody gets shot, something explodes. With Strike Back, I know everybody so well, and they know me. You bring the crew in and you say we’re going to shoot from here, we’re going to shoot from there, we can do close-ups here, we’re going to get close-ups there. So often you walk on a scene when you’re shooting a piece of drama, and you block the scene. You’ve got a whole lot of give-ins when you walk in the door.Įagles: The cameraman I work with, Mike Spragg, I work with very often and a wonderful operator called Steve Murray, and Adi Visser…We have a shorthand. You’ve got cast who’ve probably been there maybe for more than one season, several seasons. we’re working on a long-running American show, there are all sorts of ground rules that are being set by the pilot director, the showrunner and the writing team.
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So as a director, do you also find you have to do things differently here than you would directing any other show?Įagles: I get a lot more license to direct this show than I might on a preexisting episodic show. HR: The actors have all said Strike Back is like no other acting job they’ve had. So you can get a sense of adrenaline, of excitement, there’s nostalgia for the old there was the love of finding the new. Or if we’re jumping out of a helicopter, we’re jumping out of a real one. If we’re on top of a skyscraper, we’re on top of a skyscraper, we’re 60 stories up. To see our new guys slip into those shoes and get the military vibe, get the energy of the show, get the high stakes game that they’re in, and also the high stakes of where we shoot this show. I think they’re equally good, but they have their strengths in different areas.
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